@MrSelfridge – Retail Week’s campaign of the week

Just two weeks into our project for Selfridges, @MrSelfridge has been deemed Retail Week’s campaign of the week. Needless to say we’re chuffed to bits!

We’ve stepped into the glorious shoes of the ghost of Harry Gordon Selfridge on Twitter – all to coincide with the ITV programme, Mr Selfridge. We’re working closely with ad agency, 18 Feet and Rising as well as Selfridges.

The Retail Week article ends with a quote from Red Ant CEO Dan Mortimer who praises @MrSelfridge and his ability to “extend the brand personality from the store to the TV screen and onto social channels… @MrSelfridge works because it has an engaging, vivid tone of voice and focuses on conversation with followers.”

@MrSelfridge tweet

For all your fashion needs, follow @MrSelfridge for the most eloquent advice.

@MrSelfridge tweet

Alan Carr’s New Year Specstacular tops tweet leaderboard

Alan Carr’s New Year Specstacular topped SecondSync’s New Year’s Eve leaderboard for most tweeted about programme with over 33,000 tweets about the show around broadcast.

According to Broadcastnow.co.uk, “The entertainment extravaganza which featured an array of stars including Jonathan Ross, Jack Whitehall and Gok Wan generated 49% of all the TV-related tweets during the time it was on-air, with 24, 289 unique users sending 233 tweets per minute between them.”

Liberty842’s Sam hosted the Twitter party via @chattyman on the night. The highlight – and the peak on Twitter – was Alan dressing up as Harry Styles! From our management of the @chattyman account, we’ve seen all those One Direction fans stick with the show with many still calling for Alan to take over as the band’s manager!

Alan tweeted a photo of him as Harry which was retweeted over 41,000 times, and Harry Styles’ enthusiastic response – “@AlanCarr Hahaha!! I love it… Happy New Year!” – was retweeted over 40,000 times.

Alan Carr as Harry Styles

Farewell Ceefax

Tayler CresswellThis week sees the end of analogue TV in the UK, and with it goes Ceefax. BBC News Magazine has a delightful video taking us on a trip down memory lane including clips of old BBC idents and continuity announcements “cheesy music and all”…

Looking round YouTube, I also found a news item from 1972 introducing the “new BBC project” from the BBC research centre. The interview includes the question: “We’ve heard a lot from science fiction people about the days when you’ll be able to do your shopping and all your library work at home with television sets at home. Is this the start of that sort of development?”

Posted by Tayler, 24 October 2012

Happy Ada Lovelace Day!

Daisy CresswellIt’s Ada Lovelace Day today and it’s always great to be reminded of heroines that have helped influence and shape the world as we know it. My sister and I started our business in 2009 because we were inquisitive and wanted to create a business that questions established ways of doing things. In just three years we have witnessed, and been part of, the major shift in audience behaviour – particularly when it comes to TV and radio. With tools such as Twitter and Facebook amplifying fan opinion, programme-makers and broadcasters have a unique opportunity to peek into viewers’ and listeners’ homes (offices, bus journeys, dog walks…) and hear their point of view. And it’s not just the digital natives we’re talking about. We can see this shift too in radio listening behaviour for example with the BBC Radio 4’s The Archer’s tweetalongs on a Sunday morning.

We are in the throes of a social (r)evolution. Technology brings us new and enhanced tools, but with them comes responsibility. Those in the industry need to help to shape a new, more responsible, educated social landscape.  It’s up to us to help show people how best to harness this.  We are up for the challenge.

Happy Ada Lovelace Day! (Find out all about Ada on the Science Museum website.)

Posted by: Daisy, 16 October 2012

Picture shows Daisy and Tayler on a beach sometime in the 1970s. Photo taken by our inspirational nan, Gladys Griffin.

New Social Media Week events announced

The Last Leg on set

We hope you can join us for two new events for Social Media Week, London. They’re both free and held at the beautiful Gateley offices at 1 Paternoster Square, within touching distance of St Paul’s Cathedral.

The good, the bad and the ugly

6.30pm Monday 24 September 2012
Gateley LLP, 1 Paternoster Square, London EC4M 7DX

Pact
In association with Pact.

This event explores best practice when it comes to engaging online audiences for TV and radio programmes. It covers dealing with the good and the bad – from using fan networks to promote activity to neutralising trolls and dealing with negative feedback. We also look at the best ways to monitor all the available data around your programme and at the potential value of your social TV/radio audience in relation to the existing TV measurement structure (BARB/RAJAR).

Speakers:

Tayler Cresswell, Editorial Director, Liberty842
David Ellis, Director and Measurement Analyst, Station 10
Lisa Logan, Media Partner, Gateley LLP

More speakers to be announced.

More info and book your free place

Are you decent? Social media etiquette and the law

6.30pm Tuesday 25 September 2012
Gateley LLP, 1 Paternoster Square, London EC4M 7DX

This event explores the issues around social media etiquette, trolling and the law. There have been some gobsmacking foot-in-mouth moments that have seen members of the public landed in jail, and others having to deal with some pretty nasty taunts. We’ve also seen the celebratory and fantastic response to the Olympians and Paralympians who have inspired just about everyone as well as enjoying (for the most part) a direct relationship with fans on Twitter. From celebs to school kids, it’s time the issues surrounding social media etiquette were addressed. We will look at what guidance there is for young people to help them deal with social media in terms of their personal and professional development.

Speakers:

Tiffany St James, Strategist and Speaker, Stimulation Ltd
Tayler Cresswell, Editorial Director, Liberty842
Lisa Logan, Media Partner, Gateley LLP

More speakers to be announced.

More info and book your free place

The roof terrace at Gateley LLP
Daisy and Matt on the roof terrace at Gateley’s office.

Twitter gold for Paralympic athletes

BBC Holby City tweet

It’s over a week into the Paralympic games and it’s drumming up some impressive stats.     Team GB are second to China in the medal table, with 32 gold medals in total, including ten for Athletics alone. You may be familiar with a few of them – Eleanor Simmonds, David Weir, Liz Johnson and Jonnie Peacock are the names currently causing a buzz around the Olympic village. Dive a little deeper into social media and these same athletes are competing for their online presence – and increasingly seeing the benefits.

Paralympic athletes are fast becoming household names and seeing their profiles soar as their successes in the medals table continue to boom. A great measure of this success can be seen on social media. Triple medal winner Ellie Simmonds has seen a boost of 376% in followers on Twitter (up to over 21,000) and 403% on Facebook, to over 18,400 fans since the start of the event. Sarah Storey, also a double gold medallist, set the Velodrome alight this week and has also experienced significant gains online, with a rise of almost 100% in Twitter followers and a whopping 479% increase on Facebook. With more medals up for grabs, her profile is surely set to continue to increase as the week goes on.

The International Paralympic Committee’s social media guidelines for London 2012 actively encourage tweeting and Facebook posts, making it the first truly social Games. Indeed Craig Spence, IPC Media & Communications Senior Manager, said: “The IPC wants to use the power of social media to spread the Paralympic vision and share the Paralympic experience so that anyone anywhere in the world can be part of these Games.” Furthermore, rules for posts include:

  • These must be in the first person, their own personal opinion or views and related to their own personal Paralympic-related experience.
  • They should not contain any interview with, or stories about, other Accredited Persons
  • Postings should be polite, courteous, and respectful in their messages to others and shall not use obscene, profane, vulgar, sexually explicit, defamatory, or abusive language.

 

Straightforward and self-explanatory maybe but putting these rules in place ensures a level of respect from athletes and the IPC’s proactive dedication to maintain this positive rapport. Perhaps something Twitter itself can learn, its terms and of service essentially stating ‘You are what you Tweet – and we’re not responsible for it’. An active approach to curb negative posts and so-called ‘internet trolls’, through guidelines alone, by the hand that feeds may help to generate a more positive ethos.

Paralympic volunteers are also getting involved in the social media Games, helping to regulate athlete’s tweets from within the media village. I spoke to one helper who details her experience:

“I was assigned to monitor a screen in the Olympic village canteen which ran a live Twitter feed. If athletes posted messages with certain hashtags, for example #proudparalympian, these would come through for me to filter onto the screen. They were encouraged to use this tag, along with any to do with Paralympics London 2012.

“My job was to approve these tweets, allowing them to appear on the screen. I was verbally told what I had to look out for, for example, do not approve tweets if they’re offensive. Some were ambiguous. For example, if a team had lost, I couldn’t tell if the way a reaction was written was classed as ‘offensive’. You can’t always get the tone if it’s just written down. If I was unsure I just didn’t approve it. I also deleted ones that tweeted to loads of people, or contained just a link. A few were also in different languages, so I had to Google translate them prior to approval.

“The most frequent tweets gave thanks to everyone for their support, notified what time their race was starting or stated happiness over a win. Athletes would tweet about winning and losing games but even when they lost they wouldn’t show any bitterness or too much sadness. They would have a positive tone, like ‘chin up’ or ‘we will be back’. I obviously wanted to capture tweets from well-known athletes.

“I think tweets from fans encourage athletes a lot and make a big difference, as I saw so many messages of appreciation coming through. Compared to four years ago in Beijing, social media has made a massive contribution and played quite a big part in the games.”

For tips on the top athletes to follow, see IPC’s social media manager Natalia Dannenberg’s Top 50 Tips on who to Follow at the London 2012 Paralympics.

@Paralympic – Official Twitter page of the International Paralympic Committee (IPC), the global governing body of the Paralympic Movement.

http://www.paralympic.org/

By Emma Rink

 

Twitter: a positive social media tool for Olympic athletes and fans

Whether they ran, swam or pole vaulted their way through the Olympics, there was one event that every athlete could take part in: tweeting. Forget the journeys thousands of fans made to the games each day – in the end, it was Twitter that brought in the most traffic.

The ‘social media olympics’, as it is now widely known, allowed viewers to access Olympic coverage from the bathroom to the office at the click of a button. A fantastic feat by the BBC, no doubt, as head of coverage Roger Mosey wasn’t shy to point out via his personal Twitter account.

The athletes succeeded in getting on our televisions but with the rise of social media we were equally successful in getting inside their heads and (moreover) whenever either party felt like it. No longer did we have to wait for the breathless post interview by the reporter. Now, we could cut out the middle microphone and instantly access these thoughts ourselves.

Twitter’s unique selling point is its ability for users to connect directly, in ways previously not thought possible. Michael Phelps exchanged tweets with President Barack Obama for example, who tweeted, “Congrats to Michael Phelps for breaking the all-time Olympic medal record. You’ve made your country proud. – bo” Phelps replied, “Thank you Mr. President!! It’s an honor representing the USA.” The ability for fans and athletes to connect in this way gave the games a human, personal touch that encouraged a sincere devotion and will to those competing and a true appreciation for their spectators. Social media became universally social.

And with statistics comes truth: When the U.S. Women’s Gymnastics team won a gold medal, there was a spike of 29,000 tweets per minute, Twitter said. And when U.S. swimmer Michael Phelps achieved a record number of Olympic medals, it prompted some 37,000 tweets per minute. Usain Bolt’s successful defense of his 200m title, his second gold following his 100m victory at the London Olympics, led to so much discussion on Twitter that it set a new record during the Games, with a heady 80,000 tweets per minute flurry during his win. In total, over 15 million fans followed the Olympics on Twitter; with tweet volume 100 times more than that of the Beijing Olympics back in 2008.

Another positive by-product from the ‘Twitter Olympics’ is its generation of thousands of tweets and countless conversations about sport. The NBC Olympics Twitter Tracker counted 383,174 tweets about swimming and 335,881 tweets about gymnastics during the first week of the games, for example.

Athletes have also used Twitter to encourage followers to practise sports and promote their own training regimes. And as the government takes notice and makes a pledge to introduce compulsory competitive sport to the National Curriculum, one must argue the online and offline conversation generated from the Olympics has contributed to this move forward.

The negative side to the Twitter Olympics is well-documented; UK diver Tom Daley received malicious tweets telling him he’d let his late father down, which led to the tweeter’s arrest. Greek triple jumper Voula Papachristou was banned from the Olympic team after tweeting racist comments about African immigrants in Greece. And Australian swimmer Emily Seebohm blamed social media for her failure to take gold in the 100m backstroke.

Twitter has proven just as important for the Olympics as the coverage itself. With the Paralympic Games under way, related online conversation is eagerly anticipated and is sure to expand in diverse and interesting ways. But while there are the obvious pitfalls, we cannot ignore the positives: for athletes and fans, social media and most importantly, sport itself.

By Emma Rink

BBC triumphs in multiplatform coverage of ‘social media’ Olympics

We’ve come a long way since the Ancient Olympics – athletes competed naked, prizes included vats of olive oil and results were inscribed on ancient Papyrus for a handful to read.

Shocking to the modern native – yes (though the olive oil may come in handy at dinner parties) – but even more shocking to the digital native, who now has Olympic access at their fingertips. With the BBC delivering up to 24 simultaneous live streams of coverage across PC, mobile, tablet and connected TV, it’s no wonder the Sport website amassed the biggest audience in its history – the Sunday after the opening ceremony generated 6.1 million unique browsers in the UK and 8.3 million worldwide.

A lesson to be learnt from ‘the first social media Olympics’, says The Guardian’s Emily Bell, is the relationship between media operators and technology is at its best when it is actively trying to give people what they want. Once again, the proof is in the record figures:  1.7m requested for the Olympics opening ceremony on BBC iPlayer on the first weekend, with 925k on Saturday alone (an all-time high). There were also 1.15m downloads for the BBC Sport Olympics app, with 55% of browsers coming from non-desktop devices on the Saturday. And let’s not forget Twitter: the official Olympic site set up live cameras at events, which quickly gathered hundreds of thousands of followers.

These astounding figures show the importance of multi-platforms in reaching widespread audiences. Browsers across each of the online “four screens” have all seen uplift in daily unique browsers of +70% or more since the start of the Games, with 2.3m accessing BBC coverage via mobile browsers in one day. What’s more, the infamous ‘red button’ interactive guide was accessed by 20 million people in the first few days of the event, according to Roger Mosey, the head of Olympics coverage.

Mosey isn’t shy to boast the impressive viewing figures on his personal Twitter account: ‘The Brownlee brothers were watched by a peak audience of 5.6m winning gold and bronze. Surely best ever UK figure for triathlon. #BBC2012’ (8 August), ‘More Monday TV audiences. Athletics peak confirmed 12.0m; Cycling 7.3m; Gymnastics @bethtweddlenews 5.3m; Showjumping gold 2.2m. #BBC2012’ (7 August). He also regularly interacts with his followers and re-tweets messages of appreciation. It is this kind of interaction that makes audiences feel they have a say and can influence media output.

The flipside of all this, writes Emily Bell, is that the relationship between media operators and technology is at its worst when it prevents audiences from getting what they want. American TV network giant NBC had viewers up in arms, offering live streaming only online, to pay-TV customers. NBC has built its Olympic coverage around edited prime-time packages of events that often took place several hours earlier. The fact the network generates most of its revenue via advertising, as opposed to a licence fee, is justified but as Mosey says, ‘We respect what NBC is doing, but the BBC would have been absolutely killed if it had time-shifted the opening ceremonies” .

One person wrote on the TV & Showbiz site ‘Digital Spy’:

“I was in America for the start of the games – it was very bizarre seeing them pretending the opening ceremony wasn’t happening until 7.30pm EST. Not one mention that it was actually delayed coverage, not even a hint of it on TV or newspapers – and whilst the ceremony was actually happening they were showing the usual afternoon chat shows…”

NBC was under further controversy when it persuaded Twitter to suspend The Independent’s Los Angeles correspondent Guy Adam’s account, after he criticised its coverage of the Olympics. Adam’s wrote: “The man responsible for NBC pretending the Olympics haven’t started yet is Gary Zenkel. Tell him what you think!” His tweet then contained the work email address of Mr Zenkel, the President of NBC Olympics.

After Twitter claimed it breached privacy guidelines (which he refuted), Adam’s responded, “Either way, [it’s] quite worrying that NBC, whose parent company is an Olympic sponsor, is apparently trying (and, in this case, succeeding) in shutting down the Twitter accounts of journalists who are critical of their Olympic coverage.”

The fact Adam’s suspension generated thousands of angry messages on Twitter (including those from Jeremy Vine and Piers Morgan) shows you cannot take your audience for granted, or indeed attempt to fool them, in an age where social media is all-pervading. The BBC’s sterling ubiquitous Olympic’s coverage, combined with positive viewer response, is proof of this.

As a user states on Digital Spy (after it was suggested American’s are ambivalent about the games and can avoid knowing results when at work):

“Errrr hey? Must work in a very strange workplace if ‘most people’ don’t care about sport.

Especially a workplace where nobody looks at Facebook, Twitter, news websites, forums, listens to the radio, sees a TV screen, has friends who are interested and might text them results. Avoiding results of sports events is now harder than ever, NBCs strategy belongs in another age.”

By Emma Rink

Liberty842 at #Fuel4

Liberty842 took time out last week to attend Channel 4’s Fuel4 event in Brighton. Daisy was speaking on a panel of the great and the good in social TV. She talked about how @chattyman came about back in 2009 – and how it kick-started our company! She also talked about the issues around social media management, measurement and the value of providing qualitative feedback to programme makers, broadcasters and agencies.

It was a great day with plenty of sunshine, good food, networking opportunties and, of course, fascinating discourse. I loved the goodie bags, each with a complimentary book inside (ranging from The Cluetrain Manifesto to Clay Shirky’s Here Comes Everybody). Channel 4 Online created a Storify of the event:

Organ donor project uses artistic ways to reach new audiences

Liberty842’s Tilley Harris is directing the inexchange project, a photography, film and social media project about organ donation. Tilley is part of Voist who are conducting the project, a small creative collective that uses photos, video and journalism to deliver ideas, information and opinions.

The project’s primary aim is to change attitudes surrounding organ donation in Black and Minority Ethnic (BME) communities through a street based exhibition and online interactive campaign.

According to the UK Transplant website, approximately 8,000 people are waiting for organ transplants in the UK – with a disproportionately greater number from minority ethnic backgrounds.

The success of organ transplantation depends heavily on blood type; with very few type B donors (the predominant blood type of Asian & Afro Caribbean groups) on the register, organ donation within ethnic communities is becoming a serious public health issue. As the need for organs amongst its members increases, the racial mix of donors needs to match the demand more closely.

Working alongside Gurch Randhawa, Professor of Diversity in Public Health & Director of the Institute for Health Research at the University of Bedfordshire, inexchange hopes to encourage more people from BME groups to sign up to the organ donation register.

Inexchange’s video promoting their project to increase organ donation in BME groups

inexchange aims to deliver its mission statement: to inform, connect and inspire through a participatory exhibition from which workshops, events and talks will be held. A collection of photographic essays with accompanying text will offer insight into what life is like waiting for an organ and how life changing it is to receive one. This will aim to show communities how organ failure and donation can relate to everyone, as well sharing these stories on the inexchange website.

inexchange aims to take its street exhibition to several locations in and around the capital, visiting areas where there are a higher proportion of BME communities including Hackney, Brixton and Elephant & Castle. It further hopes to be able to tie the exhibition into cultural and religious events including Black History Month, Eid and Diwali.

Liberty842 is working with inexchange to develop a social media strategy for the project. This includes rolling out an online campaign, featuring a website with a blog about organ donation, relevant stories and collected photographs. Social online networking (e.g. Facebook, YouTube) will play a big part in helping to generate wider interest and support.

Daisy says: “We were really inspired by The Great Schlep campaign in the US that aimed to help get Obama elected. It encouraged young Jewish people to visit their grandparents in Florida – a key state – and persuade them to vote for Obama. They were given all the facts, tools and arguments they needed.

“The Inexchange project aims to use social networks to encourage discussion and debate about organ donation. This campaign won’t be on the scale of the Great Schlep, but if we can persuade more people to sign up to the register, and pass on their experiences, we’ll have succeeded.”

By Emma Rink

For further information:

http://inexchangeproject.co.uk/

Like Inexchange on Facebook

Follow @inexchangeUK on Twitter

http://www.thegreatschlep.com